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The
Christmas Oratorio, BWV 248
The
so-called Christmas Oratorio is unusual for this genre. It is not
a single large work, like Bach's other oratorios,
but instead is really six cantatas which were performed at six different
times between Christmas Day and the feast of Epiphany (traditionally,
January 6). Each separate cantata uses different performing groups,
emphasizing the idea that this is not one large work.
Although
parts of the libretto
are poetic, much of it is taken from the German translation of the
Bible. Bach used portions of the Nativity story from the Gospels
of Luke and Matthew in retelling the story.
The
work divides as follows:
1.
On the First Day of the Festival of Christmas
2. On the Second Day of the Festival of Christmas
3. On the Third Day of the Festival of Christmas
4. On New Year's Day (The Feast of the Circumcision
of the Lord)
5. On the Sunday After New Year's
6. On the Feast of the Epiphany (traditionally, January
6)
1.
On the First Day of the Festival of Christmas
- announces
the birth of Christ, and reflects on the Holy Child
- scored
for chorus; soprano, alto, tenor, and bass solos
- orchestra
includes 3 trumpets, timpani, 2 flutes, 2 oboes, strings, and
continuo (bassoon, cellos, string bass, and organ)
- there
are 9 movements in this cantata
2.
On the Second Day of the Festival of Christmas
- the
angel appears to the shepherds in the field
- scored
for chorus; soprano, alto, tenor, and bass solos
- orchestra
includes 2 flutes, 2 oboes
d'amore, 2 oboes
da caccia, strings, continuo (cellos, string bass, and organ)
- there
are 14 movements in this cantata, beginning with an orchestral
piece (called "sinfonia"). This is the only cantata among the
six that starts with a piece for orchestra alone.
3.
On the Third Day of the Festival of Christmas
- the
shepherds go to find Mary, Joseph, and the Baby Jesus; the shepherds
return to their fields, glorifying God
- scored
for chorus; soprano, alto, and bass solos
- orchestra
includes 3 trumpets, timpani, 2 flutes, 2 oboes, strings, continuo
(cellos, string bass, and organ)
- there
are 12 movements in this cantata
4.
On New Year's Day (The Feast of the Circumcision of the Lord)
- takes
place eight days after Jesus was born; the celebration of His
circumcision and naming
- scored
for chorus; soprano, tenor, and bass solos
- orchestra
includes 2 corni
da caccia, 2 oboes, strings, continuo (cellos, string bass,
and organ)
- the
shortest cantata of the six, it includes only 7 movements
5.
On the Sunday after New Year's
- 3
Wise Men arrive from the East and speak to King Herod, inquiring
about the Child
- scored
for chorus; soprano, alto, and tenor solos
- orchestra
includes 2 oboes
d'amore, strings, continuo (cellos, string bass, and organ)
- there
are 11 movements in this cantata
6.
On the Feast of the Epiphany (traditionally, January 6)
- Herod
sends the Wise Men away, asking that they return to him with information
so that he too might go and worship "the King"; the Wise Men follow
the star to lowly Bethlehem, and rejoice in finding the Child;
they offer him gifts of gold, frankincense, and myrrh; God warns
them in a dream not to return to Herod and they return home by
another route
- scored
for chorus; soprano and tenor solos
- orchestra
includes 3 trumpets, timpani, 2 oboes, strings, continuo (cellos,
string bass, and organ)
- there
are 11 movements in this cantata.
The
Christmas Oratorio was written in 1733 and 1734 and first performed
in its entirety in the Christmas season of 1734-1735. At this time,
Bach was in Leipzig.
continued>>
©
2003 Carol Traupman-Carr
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